Blackmagic Cameras help Spike TV’s “Tut” Capture Impossible
DP Chris LaVasseur and Second Unit Drictor/DP Mark Vargo, ASC shoot action scenes and stunt work for Spike TV’s...
Summer Blockbusters use Blackmagic
Blackmagic Design compiled a list of some of the summer season’s biggest blockbusters and most anticipated films using a...
Fury Rig: From Mad Max Fury Road to Your DSLR
Although many dismiss DSLRs as serious filmmaking tools, producers of movies like Mad Max: Fury Road use DSLRs as...
Company 3 Uses DaVinci Resolve for “Tomorrowland”
DaVinci Resolve used by Company 3’s Stephen Nakamura to grade both the regular and Dolby Vision passes for Disney’s...
Blackmagic Cameras Used On Avengers: Age of Ultron & Mad Max: Fury Road
PVC at NAB 2015: DaVinci Resolve 12
It just wouldn’t be NAB these days without a DaVinci Resolve update from Blackmagic Design and this new release...
Blackmagic’s 4.6K Sensor: Insights
We talk to Blackmagic Design about the New 4.6K Sensor and get to the information not released during their...
URSA Mini Up-Close Video
ProVideo’s Brian Hallett gets up-close with the URSA Mini to dive deeper into the features of this camera
Micro Cinema Camera & Video Assist Hands-On
It’s one thing to read/watch the announcement of the Micro Cinema Camera & Video Assist, it’s a whole different...
Blackmagic Announces 4.6K Digital Film Sensor
The new sensor dramatically improves image quality with better than 4K resolution, 15 stops of dynamic range, and boasting...
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