VariCam LT 4K Captures Animal Planet’s “Into Alaska”
Braving the challenging weather and Kodiak brown bears of Alaska, Director of Photography Tom Trainor served as Director of...
GY-HC500 & GY-HC550: JVC’s new cameras break the 10-bit barrier + add ProRes & J-Log1 (10-bit) for HDR
I am very excited to share that JVC’s new 1-inch type sensor GY-HC500 and HC550 cameras now break the...
Lens coverage, sensor size, and pushing the limits
Sensors and lenses don’t always get along. In the HDR and UHD world, it’s important to test, test, test....
Signature Primes vs. Ultra Primes: The Pixel-Peeper’s Guide
For nine months I’ve been working periodically as a trainer for the ARRI Academy. Recently we added an Alexa...
Panasonic EVA1 Tasked To Lens Nature Documentary
Shooting with Panasonic AU-EVA1 5.7K cinema cameras, Director of Photography Joe Callahan has completed principal photography on a feature-length...
Shooting @3200 ISO On The URSA Mini Pro
Before camera firmware 6.0, and the ISO cap on the URSA Mini Pro, I might have veered away from...
Blackmagic Design URSA Mini Pro Gets 3200 ISO With Firmware 6.0 Update
After a little time in Beta with Blackmagic RAW, Blackmagic Design surprised URSA Mini Pro shooters. Today Blackmagic Design...
The Oath Shot with URSA Mini Pro and Edited with DaVinci Resolve Studio
The film “The Oath” was shot with several URSA Mini Pro digital film cameras and edited and graded with...
Blackmagic Design Pocket Cinema Camera 4K Review
Is the Blackmagic Design Pocket Cinema Camera 4K their best camera to date? I hope we will find this out...
Casting the look of a camera into glass
Recently I had the pleasure of meeting with ARRI’s senior color designer, and I asked him the question I...
