A Panasonic EVA1 Camera Review – A Shooter’s Camera
There I was in my office packing and planning for a network shoot. Before me, sat a handful of...
Manfrotto Pro Light Cinematic Camera Bags Review: Balance and Expand
Do you ever feel like you spend more time carrying your gear from point A to point B, or...
Sony FS5 Mark 2 Camera Review: Looking At The New Color
Yes, the Sony FS5 Mark 2 looks exactly like the original with one exception, the filter wheel on the...
Visit VENICE… in San Francisco!
The Digital Cinema Society is coming to San Francisco on May 23rd to showcase Sony’s latest digital cinema camera, the...
PeterGregg proves GH5s autofocus obliterates the prior GH5
I am so happy with PeterGregg’s new video which proves that the Panasonic GH5s model’s autofocus literally blows away...
NAB 2018: Panasonic Shows Off Cine Live For VariCam LT
Netflix, Amazon, and everyone else who wants to record a 4K live multi-camera event or show while retaining Panasonic’s Super35mm...
Blackmagic “Pocket” Cinema Camera 4K vs competition: Canon, JVC, Panasonic and Sony
The recently announced US$1295 Blackmagic “Pocket” Cinema Camera 4K offers unique features in its price category, including: 13 stops...
NAB 2018: Panasonic Shows off AU-EVA1 Firmware 2.0
Since the mysterious shroud of NAB convention 2017, the Panasonic AU-EVA1 has made quite a splash with its high-resolution 5.7K...
NAB 2018: CTpro for iPhone
NAB’s first day saw the release of CTpro, an integrated iPhone News Gathering app from France. CTpro lets you...
NAB 2018: KINEFINITY MAVO AND MAVO LF 6K CAMERAS
At NAB 2018: Kinefinity, the Chinese camera maker, showed off their entire camera line-up with a special emphasis on...
