Shooting With Fujinon’s New MK18-55mm Cinema Lens
Well well… it appears Fujinon is jumping onto the affordable cinema zoom bandwagon. Today the company announced two new...
Review: Panasonic VariCam LT 4K Super35mm Cine Camera
The VariCam LT is Panasonic’s “affordable” large single sensor VariCam, putting the core of the $55,000 VariCam 35 in...
Panasonic AG-UX180 Single Lens Camera Review
There are four things the Panasonic AG-UX180 wants to be. This camera wants to be a broadcast camera, an...
Blackmagic Announces New ATEM, Web Presenter, and More
During a live-streamed press conference, Blackmagic Design’s Grant Petty showcased a handful of new products for broadcasting over the...
ART OF THE SHOT: The DP of “The Fosters” Kees Van Oostrum, ASC
He is the current President of the American Society of Cinematographers and at times he shoots on the Blackmagic...
TLCI vs. CRI, CQS, etc.: How do they stack up?
How does TLCI stack up against the other measures of color accuracy? I’ve argued that its testing methodologies might...
Blackmagic Gear Used On Sundance Films
While we are in the full swing of the Sundance Film Festival take a minute to check out all...
Light the background to light the foreground
Years ago, when I first lit a shot of an actor, head to toe, standing on a green screen cyc,...
Metabones Intros Cine Style Positive Locking EF – E Mount Adapter
On its fifth anniversary of introducing the original Metabones Smart Adapter, Metabones announced four new products. The four are...
Golf Channel’s Sony PetaSite Storage
With the help of Sony, NBC’s Golf Channel can tee up the archive, drive home the petabytes and nail...
