Cinekinetic’s Cinesaddle: the camera support that’ll get you out of a tight corner
Perfect composition always seems to require putting the camera in the most awkward position in a room. You can...
The CINE Battery: A way to cut the cord even on long shoots
If you’ve been enduring the short and unpredictable life of DSLR batteries (let’s face it, the form factor of...
Canon EOS 80D for video: 6 details I applaud & 8 I dislike
Canon has been justifiably criticized for the past few years for its lack of innovation in its low and...
NYC, 18 May: HDR in camera & post @ Deluxe
Sometimes it’s worth the hassle to live in New York. Next Wednesday, May 18th, Panasonic and Deluxe host...
Black box technology: Pelican’s plan to protect you and your gear
OK, so you’d rather spend your hard-earned cash on the latest camera, not the box it goes in. But...
4.6K URSA Mini Used on Aaron Carter Music Video “Fool’s Gold”
The Blackmagic URSA Mini 4.6K was used to shoot the music video for Aaron Carter’s new single “Fool’s Gold.”...
Do Away with the Array: RE:Lens for After Effects brings clarity to extreme fisheye scenes
RE:Vision Effects, best known for its Academy Sci-Tech award-winning motion-estimation-based effects including Twixtor and Reel Smart Motion Blur, demonstrated...
A Short History of Headroom, and How to Use It
Years ago a meddling DP ruined my great shot. Here’s what I learned from that experience. I’d landed a job shooting part...
Leaving Las Vegas: LED Lights and HDR at NAB
I work a booth at NAB so I didn’t see a lot this year, but I saw enough. Here...
Lost in NAB’s noise: Craft camera
Last Monday, April 18, an hour before NAB 2016 opened, Craft Camera’s website started taking reservations on a new,...
