Do Away with the Array: RE:Lens for After Effects brings clarity to extreme fisheye scenes
RE:Vision Effects, best known for its Academy Sci-Tech award-winning motion-estimation-based effects including Twixtor and Reel Smart Motion Blur, demonstrated...
A Short History of Headroom, and How to Use It
Years ago a meddling DP ruined my great shot. Here’s what I learned from that experience. I’d landed a job shooting part...
Leaving Las Vegas: LED Lights and HDR at NAB
I work a booth at NAB so I didn’t see a lot this year, but I saw enough. Here...
Lost in NAB’s noise: Craft camera
Last Monday, April 18, an hour before NAB 2016 opened, Craft Camera’s website started taking reservations on a new,...
Panasonic’s 4K DVX-200 Camera Review
In an age of DSLRs, Mirrorless, and Digital Cinema cameras who the hell would want a single-lens camcorder, right?...
In Praise of Lens Flares
I never thought I’d type those words without something knife-like poking me in the back, but my new Apple...
Throwback Thursday: Zeiss Eye Candy
I attended a local tradeshow...
DJI Phantom 4 quadcopter for Indie Filmmakers
Since DJI first announced the release of the new Phantom 4 quadcopter, there have been a limited number available...
4.6K URSA Mini Compared To Arri Alexa
With the Blackmagic 4.6K URSA Mini now shipping we are getting a great preview of what to expect out...
Rethinking The AJA Cion
I set out to discover what tools one needs to shoot the best footage possible with AJA’s Cion. I...
