Sony FS7 Review

Written by Brian Hallett

April 3, 2015

I take Sony’s latest 4K camera through the paces. I wanted to see the camera’s weakness/strengths as well as...

In a Parallel Universe, AJA’s Cion is Amazing

Written by Art Adams

April 1, 2015

RedShark News lives in a world where the AJA Cion is the best thing since sliced bread. In this...

Product Review: DOMKE Next Generation Camera Bags

Written by Jeff Foster

March 29, 2015

I don’t usually do reviews on accessory products like camera cases or bags, but as a long-time photographer and...

REVIEW: Cinegears Wireless Follow Focus Express Kit

Written by Helmut Kobler

March 19, 2015

My quest for a reasonably affordable, capable remote follow focus led me to the $1989 Cinegears Express. 

2.5K Cinema Camera Gets Lossless Raw in Firmware 2.1 Update

Written by Brian Hallett

March 18, 2015

Blackmagic finally adds the long awaited lossless compressed raw recording to their original, the 2.5K Cinema Camera. In addition,...

The TLCI Color Rendering Index: Does It Really Work? Color Me Skeptical

Written by Art Adams

March 17, 2015

CRI is meaningless when it comes to measuring LED or fluorescent lights. TLCI hopes to replace CRI in the...

Blackmagic URSA PL Review

Written by Brian Hallett

March 12, 2015

The Blackmagic URSA should be a great camera. It boasts a 10 inch built-in monitor, 80FPS in 3:1 4K,...

Blackmagic Studio Camera Review

Written by Brian Hallett

October 29, 2014

Without a doubt, the Blackmagic Studio Camera is a niche camera with a dominating monitor and Super 16mm sized...

Inside the After Effects camera

Written by Chris Zwar

May 19, 2014

One of the most powerful features of After Effects is the ability to work with 3D layers and a...

Review: The 4K Blackmagic Production Camera

Written by Brian Hallett

March 11, 2014

Blackmagic’s New 4K Production Camera is here and I have been shooting with it as soon as I could...