2.5K Cinema Camera Gets Lossless Raw in Firmware 2.1 Update
Blackmagic finally adds the long awaited lossless compressed raw recording to their original, the 2.5K Cinema Camera. In addition,...
The TLCI Color Rendering Index: Does It Really Work? Color Me Skeptical
CRI is meaningless when it comes to measuring LED or fluorescent lights. TLCI hopes to replace CRI in the...
Blackmagic URSA PL Review
The Blackmagic URSA should be a great camera. It boasts a 10 inch built-in monitor, 80FPS in 3:1 4K,...
Blackmagic Studio Camera Review
Without a doubt, the Blackmagic Studio Camera is a niche camera with a dominating monitor and Super 16mm sized...
Inside the After Effects camera
One of the most powerful features of After Effects is the ability to work with 3D layers and a...
Review: The 4K Blackmagic Production Camera
Blackmagic’s New 4K Production Camera is here and I have been shooting with it as soon as I could...
Blackmagic Pocket Cinema Camera Review
Seven days… I had the camera for exactly seven days. Just seven days to take the little camera through...