Four lenses: a visual comparison, part 1
We live in an age of lens choice. Because of this, we also live in an age of lens...
Capturing NAB 2019 With The Blackmagic Pocket Cinema Camera 4K
NAB 2019 was what we have come to accept, organized chaos. Our team crisscrossed the convention hall floors in...
NAB 2019: 1974 RCA TK-45As; 1978(?) TH-50A
At the north end of the North Hall hallway, the Museum of Broadcast Technology showed off two fine 1974...
Blackmagic Design URSA Mini 4.6K G2 Firmware 6.3 Out
In time for NAB 2019, Blackmagic Design releases new firmware for their yet to be shipped URSA Mini Pro...
Quantifying the Large Format Look
Large format is no longer out of reach of the average filmmaker, but the look is difficult to quantify....
Arri Announces The Alexa Mini LF – Large Format In A Small Body
A rumor no more. Arri just announced the ALEXA MINI LF. Since Arri’s introduction of the ALEXA LF, the...
Sony Announces The 4K RXo II Sporting A Flip Screen
Sony just introduced the brand new 4K RXo II. An internally recording 4K waterproof/dustproof/shockproof/crushproof camera. Oh, it also has...
First Footage from Blackmagic URSA Mini Pro 4.6K G2
Earlier in March, Blackmagic Design announced the brand new Blackmagic URSA Mini Pro 4.6K G2. The new camera from...
The URSA Mini 4.6K Pro G2 and BMPCC4K: A One Two Punch
One camera on sticks. Another camera on a gimbal ready to float. If I am lucky then I have...
ART OF THE SHOT: “Raise Hell: The Life and Times of Molly Ivins” DP Kristy Tully
With production credentials like these: “Feminists: What Were They Thinking?” “Making a Killing: Guns, Greed, and the NRA”, and “The...
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