Underwater Panasonic Lumix TS7 4K action camera vs FT7
Thanks to José Antunes (who also writes for ProVideo Coalition magazine), I became aware of this new pair of...
PeterGregg proves GH5s autofocus obliterates the prior GH5
I am so happy with PeterGregg’s new video which proves that the Panasonic GH5s model’s autofocus literally blows away...
NAB 2018: Panasonic Shows Off Cine Live For VariCam LT
Netflix, Amazon, and everyone else who wants to record a 4K live multi-camera event or show while retaining Panasonic’s Super35mm...
NAB 2018: ARRI Signature Prime Lenses for ARRI ALEXA LF
ARRI Signature Primes were designed in conjunction with the ARRI ALEXA LF large format digital cinema camera and are meant...
NAB 2018: Things ‘n’ Stuff
Herewith I collect interesting things I haven’t written about already: mostly cameras and support kit, but there’s other stuff,...
NAB 2018: What Caught My Eye
NAB 2018 didn’t showcase any startling new tech — no new minivan-sized light-field camera; no “Billy Lynn’s Long Halftime...
Blackmagic “Pocket” Cinema Camera 4K vs competition: Canon, JVC, Panasonic and Sony
The recently announced US$1295 Blackmagic “Pocket” Cinema Camera 4K offers unique features in its price category, including: 13 stops...
NAB 2018: Panasonic Shows off AU-EVA1 Firmware 2.0
Since the mysterious shroud of NAB convention 2017, the Panasonic AU-EVA1 has made quite a splash with its high-resolution 5.7K...
NAB 2018: KINEFINITY MAVO AND MAVO LF 6K CAMERAS
At NAB 2018: Kinefinity, the Chinese camera maker, showed off their entire camera line-up with a special emphasis on...
NAB 2018: MEVO 4K Camera – Livestream Like A Pro
At NAB 2018: Vimeo came to the convention to show off a new little camera called the MEVO which is...
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