The film look: what is it, and why are there two of them?
The film look is an elusive thing. Everyone has their favorite flavor, but there are two basic, yet opposite,...
Alexa 65 shows that large format TV makes a difference in “Altered Carbon”
I’m eight episodes in to Netflix’s Altered Carbon, and I’ve officially become a believer in large format TV cinematography....
Your camera MAY have a color gamut: further musings on camera color pipelines
My last article resulted in some new input on color gamuts. Here’s what I think I know now. Before...
Your camera does not have a color gamut
Yes, it’s true: your camera has no color gamut. Don’t believe me? Good, ’cause I’m going to try to...
Split SDI ports, or: how to hack an Arri Mini
“My assistant says it’s impossible,” said the Steadicam operator over coffee at Arri headquarters in Burbank. “The DIT wants...
Free GH5 camera autofocus improvement
Ahead I am sharing four videos that demonstrate how to do something that seems counterintuitive, in order to achieve...
Midtown Video expo features Panasonic and LiveU
Last week in Miami at Midtown Video’s expo, I got to see full presentations on three Panasonic cameras and...
The Sony 6K VENICE Menu Simulator Online Now
Camera Assistants, Owner – Operators, and DPs the Sony VENICE Menu Simulator is online and waiting for you and...
Sony Adds Dual Base ISO To Their Soon To Ship VENICE
The new version 1.0 features added to the VENICE will include support for Full-Frame 24x36mm recording in time for...
The Blackmagic Design URSA Broadcast Camera
In their new camera announcement, Blackmagic Design dropped the “Mini” in the URSA Broadcast camera name. Read into it...
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