Blackmagic Announces URSA Mini Pro and Accessories
In a youtube live streamed press conference Blackmagic CEO Grant Petty displayed a few new items. Yet, this was...
Flicker: Why On-Set Monitors Fail Us
While working as a young second camera assistant on a film TV series in the 1990s, I noticed the...
Sony Professional Launches Tech Tip Video Series
For five consecutive weeks, Sony Professional will roll out new tech videos offering quick tech tips related to Sony’s...
Shooting With Fujinon’s New MK18-55mm Cinema Lens
Well well… it appears Fujinon is jumping onto the affordable cinema zoom bandwagon. Today the company announced two new...
Panasonic AG-UX180 Single Lens Camera Review
There are four things the Panasonic AG-UX180 wants to be. This camera wants to be a broadcast camera, an...
DaVinci Resolve 12.5 Editing Book Review
I cannot tell a lie. It took me awhile to read the DaVinci Resolve 12.5 Editing book. Captivating prose...
An Insider’s Perspective on the Creative World of Filmmaking
With hundreds of careers and opportunities, the Filmmaking industry can be a unique experience for a Filmmaker. Options include pitching...
Blackmagic Announces New ATEM, Web Presenter, and More
During a live-streamed press conference, Blackmagic Design’s Grant Petty showcased a handful of new products for broadcasting over the...
ART OF THE SHOT: The DP of “The Fosters” Kees Van Oostrum, ASC
He is the current President of the American Society of Cinematographers and at times he shoots on the Blackmagic...
TLCI vs. CRI, CQS, etc.: How do they stack up?
How does TLCI stack up against the other measures of color accuracy? I’ve argued that its testing methodologies might...
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