LUT Tricks for the Sony FS7/F5/F55
Sony’s Cine-EI mode is both a blessing and a curse. Here’s how to work to its strengths and around...
The Sensation of White: Why I Set Zebras for 90% White Instead of White Clip
The days of setting exposure with zebras set at white clip are most likely over. Here’s a new technique...
AJA Cion Gets A Huge Price Cut
AJA cuts $4000 from the price of the AJA Cion.
What Happens When You Try CION?
AJA made a big splash at NAB 2014 with their announcement of the CION, but 2015 is probably going...
DJI Aerial Camera Comparisons in 4K and 60p
With a modified DJI Phantom 2 and a GoPro HERO4 Black with a 5.4mm lens, a DJI Inspire 1,...
TLCI and Camera Color: What a Difference a Prism Block Makes
TLCI’s developer says prism cameras and single sensor cameras respond to color in the same way. Thanks to Panasonic,...
Why Not #TryCION?
NAB 2015 just wrapped up and even though AJA rolled out some relevant news and updates, it was the...
NAB 2015: Zacuto Shows Off A New EVF
Zacuto talks to PVC about updates to their Gratical EVF system, Next Generation Recoil Camera Rigs for C100 and...
Ready Rig: A Hands-On Demo at NAB 2015
Do your arms become worn out from shooting with the DJI Ronin too long? Do you want the ability...
C300 Mark II: PVC Gets A Closer Look At NAB 2015
The C300 Mark II, we talk to Canon to find all the details on their new flagship camera.
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