Life as an independent cinematographer, an interview with Nancy Schreiber, ASC
I had the pleasure of speaking with Nancy Schreiber, ASC, who will be featured at the upcoming Manhattan Edit Workshop...
Digital Production Buzz Interview with Art Adams
Not long ago I was interviewed for the online show Digital Production Buzz. The show is now live, and...
LUTCalc: Trials, errors, and a full-range LC709A LUT
After much experimentation, and a bit of failed hacking, I’ve come up with a good full-range Cine-EI LUT for...
Hacking Alexa’s Rec 709 LUT into a Sony FS7/F5/F55
A new, free app gives us the power to mix and match LUTs—even between cameras! This is what happened...
Filming the Energy and Intensity of Furious 7 and Mad Max: Fury Road
Furious Seven and Mad Max: Fury Road were both huge blockbusters in 2015, and a quick glance at the...
Best Sony Cameras for Video
Sony continues to kick out more and more cameras, yet which one is best for you and the job...
Blackmagic Cameras help Spike TV’s “Tut” Capture Impossible
DP Chris LaVasseur and Second Unit Drictor/DP Mark Vargo, ASC shoot action scenes and stunt work for Spike TV’s...
AJA Cion Camera Review
Seven days was all the time I had with AJA’s Cion, and the results shuffled all my preconceived notions...
LUT Tricks for the Sony FS7/F5/F55
Sony’s Cine-EI mode is both a blessing and a curse. Here’s how to work to its strengths and around...
