DP-V2421 and DP-V1711: new Canon 4K HDR monitors
Featuring 12G-SDI terminals, the new Canon monitors are announced as the 2018 NAB Show closes in, suggesting the list...
Canon’s new CN-E20mm T1.5 L F for Cinema EOS
Canon launches the CN-E20mm T1.5 L F, a large format cine prime lens with EF mount to deliver outstanding...
Canon Announces The C700 Full-Frame Digital Camera
Less than two weeks before NAB 2018 Canon announces the EOS C700 FF, the “FF?” Well, it stands for...
PNW Lens Summit, May 5th, Portland OR USA
Quick note: if you’re coming to Portland OR for the PNW Lens Summit, you can get 20% off lodging at...
Dual Pixel CMOS AF: five years of evolution
Introduced in 2013, Dual Pixel CMOS AF continues to evolve, as the system, which some say is the best...
McQuaidFrame: a crop guide for vertical video
With vertical video continuing to be favored in social media, solutions like the McQuaidFrame aim to make life easier...
Canon Speedlite 470EX-AI: no radio, but auto bounce
The Canon Speedlite 470EX-AI is a new category of strobe, and is the world’s first flash equipped with AI...
Canon EOS M50: finally, 4K for the masses
With 4K, 120fps HD, a better Dual Pixel AF, DIGIC 8, a new CR3 14-bit RAW file format, touchscreen...
Panasonic AU-EVA1 5.7K compatible with six more Sigma ART lenses
The six new Sigma ART lenses added to the long list of lenses compatible with the Panasonic AU-EVA1 5.7K ...
Quick Look: Metabones CINE mount adapters
One of the pleasures of mirrorless, short-flange-depth cameras is the freedom to use a wide variety of lenses via...
