Cine Gear: Zeiss Shows Off Supreme Prime Lenses and Talks Workshops
It was not all about the gear at the Zeiss booth on the Paramount lot during Cine Gear 2019....
Cine Gear: Zero Optik’s Rainbow Super Baltar Lens
On day 2 of Cine Gear Zero Optik showed off a new lens at their booth. It was not...
Cine Gear 2019: The Angenieux Optimo Prime Lenses
Drawing on over 80-years of Angenieux cinematic excellence the Optimo Primes are a very much long-awaited step forward in...
Cine Gear: Fujifilm GFX100 Medium Format Camera with a 100MP Sensor
At Cine Gear 2019 we had the opportunity to meet the 100 Mega Pixel Fujifilm GFX100. This is not...
Cine Gear: Panavision DXL-M. Smaller and Lighter 8K Camera
Smaller. Lighter. The Panavision DXL-M is designed to work with RED DSMC2 cameras. The DXL-M combines the quality and...
Cine Gear: Panavision X Series Lenses. Made To Fly
Gearless? Smooth housing? LCD screen? You’d think these lenses were meant for flight. At Cine Gear 2019, we learned...
Leica DG Vario-Summilux 10-25mm f/1.7: a zoom designed for MFT video shooters
With the new Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 ASPH., Panasonic confirms Micro Four Thirds continues to be cared...
Pursuit Aviation: new way of shooting aerial scenes from inside helicopters
Pursuit Aviation and XM2 announce a first-of-its-kind setup inside a helicopter that delivers an entirely new way of shooting...
Tiffen announces NATural Graduated ND filters for photography and video
Cinematographers, videographers and still photographers, all use filters, and the new NATural Graduated ND filters from Tiffen Filters are...
LUMIX S1H: mirrorless mobility with professional cinema quality
Designed especially for film production, the LUMIX S1H shows that Panasonic is not afraid to create a camera that,...
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