Cine Gear: P+S Technik Technovision Classic 1.5X Anamorphic Lenses
Anamorphic. The look. The “texture.” There are times when you cannot replicate what an anamorphic lens can deliver. The...
Cine Gear: Zeiss Shows Off Supreme Prime Lenses and Talks Workshops
It was not all about the gear at the Zeiss booth on the Paramount lot during Cine Gear 2019....
Cine Gear: Lumix S1H Full-Frame DSLM
Panasonic rolled out the full-frame Lumix S1H at Cine Gear Expo with a presentation, a demo film, and a...
Cine Gear: Zero Optik’s Rainbow Super Baltar Lens
On day 2 of Cine Gear Zero Optik showed off a new lens at their booth. It was not...
Cine Gear 2019: The Angenieux Optimo Prime Lenses
Drawing on over 80-years of Angenieux cinematic excellence the Optimo Primes are a very much long-awaited step forward in...
Cine Gear: Fujifilm GFX100 Medium Format Camera with a 100MP Sensor
At Cine Gear 2019 we had the opportunity to meet the 100 Mega Pixel Fujifilm GFX100. This is not...
Sony’s VENICE: see the new High Frame Rate capabilities at Cine Gear Expo
Sony VENICE new firmware offers High Frame Rate up to 90fps at 6K 2.39:1 and 72fps at 6K 17:9....
New Steadicam M-2 camera stabilizer to debut at Cine Gear Expo 2019
The Tiffen Company introduced at NAB its Steadicam Steadimate-S and now the company has another camera stabilizer ready for...
Cine Gear Expo 2019 in Los Angeles: countdown is running
Two more weeks, and Cine Gear Expo happens again. The Los Angeles edition is back, with hundreds of exhibits,...
Cine Gear Expo returns to Atlanta in 2019
A strong attendance from 32 states across the U.S. and seven countries at the premiere of Cine Gear Expo...
