RED’s Adoption of the Nikon Z Mount Is a Smart, Forward-Thinking Move

Written by Alec C. Cohen

February 17, 2025

RED Digital Cinema’s latest move to adopt the Nikon Z Mount has sparked heated debates online. Some say it’s...

Announcing DZOFILM’s Wide-angle Catta Ace 18-35mm T2.9 Cine Lens

Written by Brian Hallett

January 13, 2023

DZOFILM just announced the new wide-angle Catta Ace 18-35mm T2.9 cine Lens, perfect for wide shots and great for...

Old lens bad

Written by Phil Rhodes

February 8, 2022

Being an optical designer has been a thankless task for the last few years. You get to spend half...

Lens hacking

Written by Phil Rhodes

July 9, 2021

Often, people who can’t afford a set of Sigma Classic primes will ask whether a set of low-cost stills...

FUJINON Premista 19-45mm T2.9 Lens To Be Released January 28th.

Written by Brian Hallett

January 14, 2021

Newly announced the FUJINON Premista 19-45mm T2.9 (“Premista 19-45mm”) lens to be released on January 28, 2021. This lens...

Reviewing New Laowa OOOM 25-100mm T2.9 Cinema Lens

Written by Brian Hallett

December 4, 2020

A shift is happening in optics. As a trade, are we going from a Euro-centric lead on cinema glass...

Sigma Cine Zoom Lens Review: 18-35mm and 50-100mm

Written by Brian Hallett

August 29, 2017

Is there a better subject for a shooter than their own three-month-old baby? During these early months of fatherhood, Sigma...

Adorama Pro 101: The Basics – The Cine Lens vs Everything Else

Written by Eric Cohen

November 4, 2015

Recently discovered within the vaults of our video archive, Adorama is proud to present an educational series focusing on...