Blackmagic Design Shows Off Great Autofocus Sneak-Peak
Blackmagic Design FINALLY shows off three workable autofocus features during their epically long NAB 2025 product announcement. The autofocus...
Blackmagic Design Announces Blackmagic PYXIS Pro Handle and Pro Grip
Blackmagic Design today announced the new Blackmagic PYXIS Pro Handle and Blackmagic PYXIS Pro Grip, two new accessories that...
Blackmagic Design Announces New Blackmagic PYXIS 12K
Blackmagic Design today announced the Blackmagic PYXIS 12K, which is packed full of their revolutionary 12K RGBW sensor. The...
Blackmagic Showcases New URSA Cine 17K 65 Films
Blackmagic Design has unveiled two new projects—“Iceland” and “The Ranch”—shot entirely with its flagship Blackmagic URSA Cine 17K 65 digital film...
Nikon Announces NIKKOR Z 28-135mm f/4 PZ Zoom Lens
Today Nikon Inc. announced the release of the NIKKOR Z 28-135mm f/4 PZ, a full-frame power zoom lens for...
240 Sony Cameras To Cover Super Bowl LIX
CBS and NBC used 11 cameras at the first Super Bowl. This year, more than 240 Sony Cameras will...
Rolling vs Global Shutter – Does it Matter?
Understanding the difference between Rolling and Global shutters is essential for filmmakers striving for precision and quality in their...
DJI Launches Lightweight Commercial Video Transmission with Advanced SDR Technology
DJI just launched a new video transmission system to make advanced software-defined radio (SDR) technology more accessible. Designed for...
Crafting the Look of a Lens, Part 2: Making a Modern Vintage Lens
In part one, we looked at how ARRI built a lens with a modern-yet-beautiful look for the future of...
ARRI Signature Lenses, Part 1: Making a Modern Lens
In this two-part series, we’ll first break down the look of an ARRI Signature lens, and then, in part...
