Blackmagic Showcases New URSA Cine 17K 65 Films
Blackmagic Design has unveiled two new projects—“Iceland” and “The Ranch”—shot entirely with its flagship Blackmagic URSA Cine 17K 65 digital film...
Nikon Announces NIKKOR Z 28-135mm f/4 PZ Zoom Lens
Today Nikon Inc. announced the release of the NIKKOR Z 28-135mm f/4 PZ, a full-frame power zoom lens for...
240 Sony Cameras To Cover Super Bowl LIX
CBS and NBC used 11 cameras at the first Super Bowl. This year, more than 240 Sony Cameras will...
Rolling vs Global Shutter – Does it Matter?
Understanding the difference between Rolling and Global shutters is essential for filmmakers striving for precision and quality in their...
DJI Launches Lightweight Commercial Video Transmission with Advanced SDR Technology
DJI just launched a new video transmission system to make advanced software-defined radio (SDR) technology more accessible. Designed for...
Crafting the Look of a Lens, Part 2: Making a Modern Vintage Lens
In part one, we looked at how ARRI built a lens with a modern-yet-beautiful look for the future of...
ARRI Signature Lenses, Part 1: Making a Modern Lens
In this two-part series, we’ll first break down the look of an ARRI Signature lens, and then, in part...
A History to Blackmagic’s URSA Cine 17K 65 Camera
Back in 2012, Blackmagic had a chip on its shoulder. That year, they announced and shipped their first camera, the Blackmagic Cinema...
Announcing The New Blackmagic URSA Cine 12K LF
Blackmagic goes big with its new flagship digital cinema camera, the Blackmagic URSA Cine 12K LF. For the uninitiated,...
New Zeiss Nano Full-Frame T1.5 Prime Lenses
ZEISS Nano Primes are cinema lenses designed for modern full-frame mirrorless cameras — initially available for Sony E-mount. Lenses...
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Production
Review: Mofage Talos Damping Magic Arm
Post Production
