Sony Adds Dual Base ISO To Their Soon To Ship VENICE
The new version 1.0 features added to the VENICE will include support for Full-Frame 24x36mm recording in time for...
The Blackmagic Design URSA Broadcast Camera
In their new camera announcement, Blackmagic Design dropped the “Mini” in the URSA Broadcast camera name. Read into it...
Panavision’s new DXL2: Monstro dialed up to “11”
Panavision’s DXL2 is a unique offering, backed by a unique color pipeline. This is not your average Monstro. When...
Blackmagic Feb 1st Broadcast New Products Announcements
Today, Blackmagic Design took the opportunity to live stream their new 2018 broadcast product updates. On-screen Blackmagic CEO, Grant...
The large format look, continued: shallow focus and stressing old lenses
I’ve been getting some play time with RED’s new Weapon camera with a Monstro sensor at Videofax in San...
The “large format” look: Sigma primes on a RED Monstro, in 8K
What’s the big deal about large format cinematography? Shallow focus on wide shots. It’s a big deal. One of...
Meet Me at Arri Burbank on January 19th
If you’ve got some time to spare on January 19th, and you’re near Burbank, stop by and see me...
Some thoughts on color, brightness, and contrast
I’m not happy with just knowing that colors work together in artistic ways. I want to know why. Here...
LED, the convenient yet dangerous light source
I love LEDs. Well, mostly. I have my tricks for dealing with them, and I’m going to pass some...
Panavision revives VistaVision for a digital world: part 2
Does large format really create a greater sense of depth and dimensionality in a flat image? Read on to...
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