A Guide to Shooting HDR TV: Day 5, “The Technical Side of HDR”
This is the fifth installment of a six-part HDR “survival guide.” Over the course of this series, I hope...
A Guide to Shooting HDR TV: Day 4, “Artistic Considerations”
This is the fourth installment of six-part HDR “survival guide.” Over the course of this series, I hope to...
A Guide to Shooting HDR TV, Day 3: “Monitor Considerations”
This is the third installment of a six-part HDR “survival guide.” Over the course of this five-part series, I...
A Guide to Shooting HDR TV: Day 2, “On Set with HDR”
This is the second installment of a six-part HDR “survival guide.” Over the course of this series, I hope...
A Guide to Shooting HDR TV: Day 1, “What is HDR TV?”
This is the first installment of a six-part HDR “survival guide.” Over the course of this series, I hope...
Filmmaker Friday with Filmmaker Jessica Lopez
With hundreds of careers and opportunities, the filmmaking industry can be a unique experience for a filmmaker. Options include...
Blackmagic Design URSA Mini Pro Review
Is this the best camera made my Blackmagic Design? I think there might be a good case for it...
Exploring a Few Lighting Setups with the Litepanels Caliber 3-Light Kit
Litepanels’ Caliber LED lights are a great option for shooters who have to light small scenes such as interviews,...
Light and Motion’s Stella Pro LEDs Review
There is nothing more disconcerting than setting up for an interview and not finding a single wall outlet. There...
Cooke Anamorphic Lenses Bring Class and Character to a Clean Digital World
I remember the first time I worked in anamorphic. I’d landed a job as “A” camera operator on a...
