Shooting With Fujinon’s New MK18-55mm Cinema Lens
Well well… it appears Fujinon is jumping onto the affordable cinema zoom bandwagon. Today the company announced two new...
AN INSIDER’S PERSPECTIVE ON THE CREATIVE WORLD OF FILMMAKING
With hundreds of careers and opportunities, the Filmmaking industry can be a unique experience for a Filmmaker. Options include pitching...
Panasonic AG-UX180 Single Lens Camera Review
There are four things the Panasonic AG-UX180 wants to be. This camera wants to be a broadcast camera, an...
DaVinci Resolve 12.5 Editing Book Review
I cannot tell a lie. It took me awhile to read the DaVinci Resolve 12.5 Editing book. Captivating prose...
An Insider’s Perspective on the Creative World of Filmmaking
With hundreds of careers and opportunities, the Filmmaking industry can be a unique experience for a Filmmaker. Options include pitching...
ART OF THE SHOT: The DP of “The Fosters” Kees Van Oostrum, ASC
He is the current President of the American Society of Cinematographers and at times he shoots on the Blackmagic...
TLCI vs. CRI, CQS, etc.: How do they stack up?
How does TLCI stack up against the other measures of color accuracy? I’ve argued that its testing methodologies might...
New Xenon FF-Prime Cine-Tilt Lenses
Schneider-Kreuznach introduced an entire new Cine-Tilt lens line-up. The new Xenon FF-Prime Cine-Tilt lenses each come with ± 4°...
Blackmagic Gear Used On Sundance Films
While we are in the full swing of the Sundance Film Festival take a minute to check out all...
ART OF THE SHOT: Christian Sebaldt, ASC
In 2010, Christian Sebaldt, ASC, won a Primetime EMMY and an ASC nomination for his work on “CSI: Crime Scene...
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