Why We Need More Women In Film and Television
This past weekend had the potential to be big news for Women in Filmmaking. The latest version of “Ghostbusters”...
Panasonic AJ-PX230 Camera Review
Panasonic continues to deliver what Broadcasters are looking for with the single-lens AJ-PX230 camera. Simple, easy to use by...
Blackmagic 4K Production Camera Firmware 3.4 Announced
It was the last thing I thought Blackmagic would do. I thought they would focus nearly all of their...
Large Price Drop for Canon C300 Mark II and C100 Mark II
I love saving money. I’m sure you love saving money just as much as I love saving money. Now...
Blackmagic Micro Cinema Camera Review
It’s small. It shoots raw. It’s the Blackmagic Micro Cinema. This is definitely one of the smallest cameras I’ve...
Is the film industry dying? I respond to an article that says it is.
An article at Adobe Spark says the film industry is spiraling into obscurity. Do you agree? I encourage you to...
The Panavision Millennium DXL: Light Iron and RED create a winning new look for large format cinematography
My invitation to a mysterious press event was nearly one of the biggest surprise announcements of the year. That morning...
How I Learned Composition at 12 Years of Age
At 12 years old I knew I wanted to look through cameras for a living. Thanks to Youtube, I’ve...
Blocking Before Coffee
Feature film: first day. The crew and I start to run out of things to prepare; the director is...
Do Away with the Array: RE:Lens for After Effects brings clarity to extreme fisheye scenes
RE:Vision Effects, best known for its Academy Sci-Tech award-winning motion-estimation-based effects including Twixtor and Reel Smart Motion Blur, demonstrated...
