Cine Gear: Cooke Anamorphic/i Full Frame Plus Standard and SF Lenses
Large Format. Full Frame. That super shallow depth of field. The evolution of filmmaking has been in a state...
Cine Gear 2019: Shot On Cooke. “A Motion Gallery”
If you are a painter and you want to learn from the Masters you have to study those who...
Cine Gear: Canon Shows Off Sumire Prime Lenses
Sporting t-shirts showing the Cine Gear 2019 attendees how exactly to pronounce Sumire, Canon’s new PL Prime Lens line...
Cine Gear: Panavision X Series Lenses. Made To Fly
Gearless? Smooth housing? LCD screen? You’d think these lenses were meant for flight. At Cine Gear 2019, we learned...
Cine Gear: The Arri Alexa Mini LF and the Arri “Look”
The Arri booth seemed to always be full during Cine Gear 2019. Could it have been because many wanted...
ARRI Signature Prime and Mini LF Event: Sim Video, Vancouver
Come see me on June 6th at Sim Video in Vancouver, B.C., where I’ll co-present a session on ARRI...
The Sony Cyber-Shot DSC-RX0 II Digital Camera Review
The Sony Cyber-Shot DSC-RXO II Digital Camera looks like an action camera. The small size and the rugged build...
Four lenses: a visual comparison, part 2
It’s time to name names. I’m going to tell you what lenses you’ve been looking at for the last...
The Filmtools Podcast Eps. 3 with Drone Operator Mike Fortin
Each week The Filmtools Podcast will talk with industry professionals in a candid conversation about their career, relevant news...
Four lenses: a visual comparison, part 1
We live in an age of lens choice. Because of this, we also live in an age of lens...
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