Four lenses: a visual comparison, part 2
It’s time to name names. I’m going to tell you what lenses you’ve been looking at for the last...
The Filmtools Podcast Eps. 3 with Drone Operator Mike Fortin
Each week The Filmtools Podcast will talk with industry professionals in a candid conversation about their career, relevant news...
Four lenses: a visual comparison, part 1
We live in an age of lens choice. Because of this, we also live in an age of lens...
Introducing The Filmtools Podcast
Each week we will talk with industry professionals in a candid conversation about their career, relevant news within the...
Tokina Vista Ones: Single Coating and Lower Contrast
Sharp. Great image quality. A certain Je ne sais quoi these are the things cinematographers look for in cinema...
Canon Sumire Prime: seven new cinema lenses with PL/EF mount
With the new Sumire Prime Canon offers a solution that seems to be designed to compete with what independent...
Quantifying the Large Format Look
Large format is no longer out of reach of the average filmmaker, but the look is difficult to quantify....
Arri Announces The Alexa Mini LF – Large Format In A Small Body
A rumor no more. Arri just announced the ALEXA MINI LF. Since Arri’s introduction of the ALEXA LF, the...
Filmmaker Friday featuring James McKenzie
With hundreds of jobs and opportunities, breaking into the entertainment industry can be a unique experience for anyone who...
ART OF THE SHOT: “Raise Hell: The Life and Times of Molly Ivins” DP Kristy Tully
With production credentials like these: “Feminists: What Were They Thinking?” “Making a Killing: Guns, Greed, and the NRA”, and “The...
