Q&A — More than you care to know about modern video codecs
I know this! I just use H.264 for everything! Whoa there. Let’s take a quick step back and take...
Using EXRs and DWA in After Effects
Codecs aren’t the most exciting thing to write about, but a recent update to After Effects included a tiny...
PVC Podcast Eps 13: The Codec Talk
Join Scott, Damian and special guest Michael Kammes this week for a deep dive into the world of Codecs!...
NewTek’s NDI graduates to a recording códec & already works with Adobe CC
As I have covered in many past articles, NewTek launched NDI in 2015 as a a royalty-free software standard...
New Blackmagic RAW códec: what the industry needed
Blackmagic just released its new RAW video códec. This is especially helpful for those who demand the most latitude...
Everything you need to know about REDCODE RAW
RED Tech is back, with a new video sharing the possibilities of REDCODE RAW and how, ays RED, the...
Windows ProRes: First Impression
I’ve missed ProRes. I’m used to jumping between Mac and Windows, and I often say that once I’m in...
Media Composer 101 – Advanced – Multi-Channel Audio Exports
In this lesson, Kevin P McAuliffe talks about Multi-channel audio exports from Media Composer, and how DNxHD doesn’t always...
Codecs, Codecs, Codecs – The most confusing aspect of editing
As the title says, Codecs are probably the single most confusing thing in editing, especially in Media Composer. Most...
