Blackmagic Studio Camera Review
Without a doubt, the Blackmagic Studio Camera is a niche camera with a dominating monitor and Super 16mm sized...
Rating and Filtering in Final Cut Pro X
Guest Bill Davis takes us back to the basics this week. One of the foundational building blocks for working...
My Ultimate Field Monitor
A few months ago, I put together the ultimate field monitor — for my purposes, anyway. I’m so happy with...
Visual Effects Workflow with Final Cut Pro X
How does Final Cut Pro X fit into the visual effects workflow of a feature film? Quite comfortably, as...
Let’s Edit with Media Composer – What’s New in Version 8.2
Media Composer 101 has been rebranded to Let’s Edit with Media Composer! Enjoy all the new tutorials at the...
iPad Air 2 is semi-matte!/My MacBook Air is now matte too!
Frequent ProVideo Coalition readers know that I strongly prefer matte screens, whether its for media production or general use....
Review: ThunderBay IV 4-bay 12TB Thunderbolt system
Back in June, I published my first look article on the ThunderBay IV 4-bay 12TB Thunderbolt system with the...
Interactive Title Design in Final Cut Pro X
Did you know you can do interactive, realtime title design directly inside Final Cut Pro X? This is the...
Why We Need Color Correction
The tools of our trade have been commoditized. Everyone can perform the job of seasoned video and film professionals,...
Know the Pro: Stu Maschwitz
This article series, to be posted once a month, will focus on one person in the Film or Television...
