Media Import Options in Final Cut Pro 10.1
Welcome to our second MacBreak Studio on the brand new Final Cut Pro 10.1! In this episode, Steve Martin...
Beachtek DXA-SLR PRO audio interface review part 3: with GH3
For part 3 of the Beachtek DXA-SLR PRO audio interface review, I visited Luna Studio in Miami Lakes, Florida,...
Rumbling Under the Radar
Last year we revamped our voiceover recording chain, replacing a microphone and “voice channel” (a microphone preamp with additional...
Product Review: Lowel GL-1 Power LED Flood/Spot Light
The Lowel GL-1 Power LED is a compact handheld portable light source that is ideal for any type of...
Beachtek DXA-SLR PRO audio interface review part 2: with Blackmagic Pocket Cinema Camera
For part 2 of the Beachtek DXA-SLR PRO audio interface review, I got together with Ríchard Izarra in one...
Understanding Libraries in Final Cut Pro 10.1
Welcome to our first MacBreak Studio on the brand new Final Cut Pro 10.1! In this episode, Steve Martin...
Get Started Fast with Avid Media Composer 7: Lesson 3
If you've been thinking that Media Composer is a little to daunting to get started with, than part three...
Final Cut Pro X 10.1 now speaks Castilian (aka “Spanish”)
After upgrading Final Cut Pro X to version 10.1, I was delighted to see that it was addressing me...
Kicking the Tires on Final Cut Pro X 10.1
Thursday was the big day that Apple Final Cut Pro X users have been waiting for for quite a...
Get Started Fast with Avid Media Composer 7: Lesson 2
If you've been thinking that Media Composer is a little to daunting to get started with, than part two...
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