I miss digitizing footage from video tape
Ok, I’m going to just come right out an admit it … I miss digitizing. For those young ‘uns...
FCP X, Photoshop, and RAW
This week on MacBreak Studio, Steve Martin from Ripple Training gives us some tips on working with RAW images...
Sony NX30: currently best in its class, yet improvable
Thanks to Miami dealer and rental house Midtown Video and later to PRODU.com, I had a brief opportunity to...
Beyond AVCHD: a proposed new standard for AVCHD cam manufacturers
Back in November 2011, I published an Open Letter to professional AVCHD camera manufacturers. In that Open Letter, I...
After Effects ExtendScript Training: Ep. 7
Welcome to episode 7 of the After Effects ExtendScript Training series. This week we will be creating new comps...
F65-shot Film “Sticks & Stones” Is Finalist at Cannes Film Festival
Making “Sticks & Stones” was personally rewarding for Kate Rees Davies and Steve Romano. Having the film about childhood...
Archiving Final Cut Pro X Projects and Media
This week on MacBreak Studio, Steve Martin from Ripple Training talks about archiving your projects in Final Cut Pro...
Videoguys’ Guide to Adobe Creative Cloud for teams
The Videoguys realize that subscribing annually to your software is a new concept for many of our customers. Our...
After Effects ExtendScript Training: Ep. 6
Welcome to episode 6 of the After Effects ExtendScript Training series. This week we will be learning to collect...
Two Questions About Video Scopes
In this inaugural post of my new question-and-answer column, I tackle two kickoff queries about video scopes from colleague Scott...
