Motion Graphics for Business – Part 2: Beyond Hollywood
This is part 2 of a series that looks at trends in corporate motion graphics. Part 1 looked at...
Sweeping Up in Motion
This week on MacBreak Studio Steve Martin from Ripple Training (check out the brand new completely updated website) and...
Product Review: ikan PD1 Remote Air One Remote Follow Focus
Ikan’s Remote Air One (also known as the PD Movie) is a wireless remote follow focus that’s easily the most...
Premiere Pro News Notes #11
Here’s another collection of news on tutorials, tips, and related tools assorted with Adobe Premiere Pro. Things have continued...
Dynamic Trimming in Final Cut Pro X
What is dynamic trimming, anyway? There has been a lot of discussion on this topic lately, and today Steve...
I am a Bird
This weekend my friend Gary Yost took out his new DJI Inspire 1 for some test flights. The footage...
Why Digital Sprockets edits video with DaVinci Resolve instead of FCP X
Benjamín Fernández is the director of Digital Sprockets in México City, where since 1994 he has offered post-production, telecine...
Easy Flying Logos with AE + C4D Lite (+ Illustrator)
One of the most common, bread-and-butter motion graphics jobs you’re going to get is to take your client’s flat,...
The Public Domain Project
We all need footage – but there’s not always the budget to license or shoot it. We can try...
The Compound Clip Conundrum
Handles? We don't need no stinkin' handles! That's what a compound clip in Final Cut Pro X might say...
