Motion Graphics for Business – Part 2: Beyond Hollywood

Written by Chris Zwar

February 5, 2015

This is part 2 of a series that looks at trends in corporate motion graphics.  Part 1 looked at...

Sweeping Up in Motion

Written by Mark Spencer

February 3, 2015

This week on MacBreak Studio Steve Martin from Ripple Training (check out the brand new completely updated website) and...

Product Review: ikan PD1 Remote Air One Remote Follow Focus

Written by Helmut Kobler

February 1, 2015

Ikan’s Remote Air One (also known as the PD Movie) is a wireless remote follow focus that’s easily the most...

Premiere Pro News Notes #11

Written by Rich Young

January 31, 2015

Here’s another collection of news on tutorials, tips, and related tools assorted with Adobe Premiere Pro. Things have continued...

Dynamic Trimming in Final Cut Pro X

Written by Mark Spencer

January 27, 2015

What is dynamic trimming, anyway? There has been a lot of discussion on this topic lately, and today Steve...

I am a Bird

Written by Mark Spencer

January 26, 2015

This weekend my friend Gary Yost took out his new DJI Inspire 1 for some test flights. The footage...

Why Digital Sprockets edits video with DaVinci Resolve instead of FCP X

Written by Allan Tépper

January 24, 2015

Benjamín Fernández is the director of Digital Sprockets in México City, where since 1994 he has offered post-production, telecine...

Easy Flying Logos with AE + C4D Lite (+ Illustrator)

Written by Chris and Trish Meyer

January 22, 2015

One of the most common, bread-and-butter motion graphics jobs you’re going to get is to take your client’s flat,...

The Public Domain Project

Written by Chris and Trish Meyer

January 22, 2015

We all need footage – but there’s not always the budget to license or shoot it. We can try...

The Compound Clip Conundrum

Written by Mark Spencer

January 21, 2015

Handles? We don't need no stinkin' handles! That's what a compound clip in Final Cut Pro X might say...