Review: 16-inch Apple MacBook Pro M1 Max for video editors – Part 2 vs iMac Pro
When reviewing the new 16-inch MacBook Pro M1 Max the closest competitor as far as form factor goes was...
Review: 16-inch Apple MacBook Pro M1 Max for video editors – Part 1
I was excited to take delivery of the newly announced MacBook Pro M1 Max last week for some post-production-related...
REVIEW – Razer Blade 15 Studio Edition
A while back I took a look at the Razer Core X, an eGPU for my aging Mac system. ...
Using Magic Mask & Qualifiers in Resolve 17
One of the marquee new features in Resolve 17’s Color Page update is the new Magic Mask palette. Available...
DaVinci Resolve Public Beta 8 Now Available
Blackmagic Design released the new DaVinci Resolve 17 Beta 8, which includes all of the same high-quality processing as...
More than 35 Sundance 2021 Projects Used Blackmagic Gear
It is that time of year again. Film Festivals! Or, at the least, the 2021 version of Film Festivals....
Review: DaVinci Resolve Speed Editor Part 2 – Multicam and Multi-camera Editing
This is Part 2 of my DaVinci Resolve Speed Editor review. In Part 1, I covered the hardware, trimming,...
Review: DaVinci Resolve Speed Editor, Part 1 – Editing with the Speed Editor
Welcome to my review of the DaVinci Resolve Speed Editor. Hardware products designed to supplement and speed up video...
Nobe Color Remap for all your post-production tools. The original Color Warper
Every now and then you see a new tool in post-production and you say “wow that is unique.” For...
PugetBench for DaVinci Resolve: benchmark your system now!
Puget Systems launches PugetBench for DaVinci Resolve with testing for 4K and 8K media, GPU Effects and Fusion. It’s...
