LED Light Tests: PRG Sponsors an LED Light Shootout
“LED Light Shootout” sounds so dramatic, as if a collection of motley illuminants met in a dusty western town...
My NAB 2012 Post|Production World classes
I’m very excited to once again be teaching several classes at the 2012 NAB Post|Production world conference. It’s going...
CANON C300: Trimming White Balance, Plus a Look at Daylight vs. Tungsten Color
I’ve shot a lot of web and broadcast spots on the Canon 5D and while it makes pretty pictures...
CAMERAS: Now It’s Rocket Science
Not so long ago the toughest choice we had to make was which film stock to use. It was...
Lights, Camera, Kids: Shooting a Childish Spot for T-Mobile on the Canon 5D
A web spot may be seen by more people than a broadcast spot, so making it pretty is more...
ARRI’s DNxHD Alexa update, Sorenson Squeeze Pro and OP this, OP that
ARRI has begun to ship its DNxHD update for their Alexa camera. This announcement that the Alexa would get...
Simulated Rack Focus for Believable Composites
If you’re looking to give your green screen composites another step of realism or to simulate the look of...
Tip Tuesday: Disable a clip in the Avid Media Composer timeline
In honor of TipTuesday over on Twitter I thought I’d share this simple Avid Media Composer tip that I...
Testing the 7toX Final Cut Pro 7 to Final Cut Pro X conversion
When Apple released the latest Final Cut Pro X update there was a very important 3rd party utility released...
2D Footage with a Stereo 3D Rig in After Effects CS5.5
Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm...
