Quicktip: Easy access to the Mac OS System Preferences
Every now and then you might come across a little tip, trick or shortcut that when you see it...
You can reframe your R3Ds in Redcine-X
When you’re working with high resolution RED media in a high-definition world then one of the advantages of the...
HDSLR Coalition Film Contest!
Not since the advent of the first motion picture camera have we seen a single technology affect filmmaking like...
Magic Bullet Suite 10’s new Denoiser plug-in
A few weeks ago Red Giant Software released update to the ever popular, ever useful Magic Bullet Suite. This...
Master Multicamera Techniques is a must have book for editors
Quite a few months ago I had a long conversation with editor Mitch Jacobson about multicam editing. The point...
What if we start all over?
What would the production industry be like if we had no existing industry: no established production business, no guilds,...
Alexa ISO Settings: The Least You Need to Know
My previous Arri Alexa article showed you how the camera’s dynamic range responds to different ISO settings. In this...
Export via Sorensen Squeeze 6 from the FCP timeline
Just the other day I needed to export mp3 audio files from several long Final Cut Pro timelines to...
Zeiss Lenses At PhotoCine Expo
Richard Schleuning of Zeiss shows off their latest lens (not yet released) the Distagon T* 1,4/35 and of course...
Arri Alexa’s Dynamic Range: It’s All in How You Use It
Knowing that the Arri Alexa has 15 or so stops of dynamic range is nice, but it’s hardly useful...
