Disney’s Myth: A Frozen Tale is VR Film of the Year
Myth: A Frozen Tale, the first VR short from Disney Animation to be inspired by one of the studio’s...
ART OF THE CUT with the Emmy nominated editors of The Mandalorian
Today, I’m talking with the editing team of Disney Plus’s The Mandalorian which received three of the eight nominations...
The Lion King: Blackmagic Design was the backbone for the virtual production
Micro Studio Camera 4Ks used as witness cameras, DaVinci Resolve Studio, ATEM video switchers and other hardware were used...
NVIDIA conferences and courses: the future of filmmaking at SIGGRAPH 2019
From photo-realistic digital humans created in real-time to the digital techniques used in Disney’s “The Lion King”, the series...
VidCon: shaping the future of online video
Experts from the biggest names in media are coming together at VidCon to discuss the future of video, advertising,...
ART OF THE CUT with Virginia Katz, ACE on “Beauty and the Beast”
Virginia Katz, ACE has had a prolific career as a film editor, moving into the editing chair in 1987,...
Pixar in a Box reaches Season 3
A collaboration between Pixar Animation Studios and Khan Academy, sponsored by Disney, the Pixar in a Box project will...
ART OF THE CUT with the editor of “The Jungle Book,” Mark Livolsi, ACE
Editor Mark Livolsi, ACE, started out as an apprentice editor on “Wall Street” (1987), moving up through the ranks...
Shooting The Holiday Blockbuster: “The Force Awakens” and the History of Star Wars
Now that “The Force Awakens” the latest entry in George Lucas’ epic series has been released, here is a...
Disney’s Tomorrowland: Realistic Environments On Stage
The recent film Tomorrowland, from Director Brad Bird, uses DPS Cinema technology to create the environments described in the...
