AI Photo Enhancement Software – A Time Machine for Documentaries?
I’ve been watching a lot of docs and docuseries the past couple years while working on a high-profile feature...
ART OF THE CUT with the ACE nominated editors of the documentary, “The Dissident”
Today, we’re talking with the ACE EDDIE-nominated editing team of The Dissident. The documentary uncovers the shocking facts of...
ART OF THE CUT with documentary editor Paul Crowder, ACE
Paul Crowder, ACE is a London-born, L.A.-based editor. I last spoke with him when he edited Ron Howard’s fantastic...
ART OF THE CUT with doc director/editor Todd Miller on “Apollo 11”
I saw Apollo 11 in theatres several months ago, and recently the film has aired on CNN. It was...
Art of the Cut’s Voices from Sundance Ep. 4
Art of the Cut presents our “Voices from Sundance” series of podcasts about editing. Our fourth episode is about...
ART OF THE CUT with documentary editor Neil Meiklejohn
Neil Meiklejohn is a documentary film editor who edited the documentaries Long Live Benjamin,and The Battered Bastards of Baseball....
ART OF THE CUT on doc editing with Maya Mumma
Maya Mumma has worked on numerous documentary projects including as an associate editor on Restrepo, and as an editor...
AOTC with editor of the documentary “KEDI”
Mo Stoebe currently works as freelance editor of both documentaries and narrative films in Los Angeles. He got his...
ART OF THE CUT with Paul Crowder of “Eight Days a Week” doc
Paul Crowder is a London-born, L.A.-based editor who just cut Ron Howard’s fantastic tribute to the Fab Four: “The...
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