Why Smoke is Ideal for Broadcast Part II
So at the end of the day when your spot is being reviewed, and changes are needed, Smoke can...
Why Smoke is Ideal for Broadcast Part I
For anyone who has ever worked in a broadcast environment, you know the unique challenges that are involved in...
Testing the 7toX Final Cut Pro 7 to Final Cut Pro X conversion
When Apple released the latest Final Cut Pro X update there was a very important 3rd party utility released...
2D Footage with a Stereo 3D Rig in After Effects CS5.5
Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm...
Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
Back in January news broke that reality television producers Bunim/Murray were switching their post-production facilities from Final Cut Pro...
Kicking the tires on the Final Cut Pro X 10.0.3 Multicam update
As we all know by now Apple released their promised update to Final Cut Pro X that added multicam....
Revisiting the RED workflow, Smoke 2012 style
My love affair with RED Digital Cinema began in 2007, when my brief stint as demo artist in the...
Avid now lets you edit video on your iPad for US$4.99. Should you?
I was privileged to find out a few hours in advance of the public announcement of Avid Studio for...
Update Alert: Final Cut Pro X goes to 10.0.3
Is it early 2012? It is and Apple has kept its promise with an update that takes Final Cut...
AJA’s Io XT w/ Thunderbolt is now available, but it is not Riker: What’s the cover-up?
AJA is now shipping its US$1495 Io XT, AJA’s first Thunderbolt device which I covered in detail when it...
