Film Is Dead!
In this episode Philip & I cover a series of topics starting with large sensor cameras in production, the...
Avid Media Composer 6 is announced and it’s moving into the future
Today was the day for the Avid webcast where they announced a new version of Media Composer. Version 6...
PsF’s missing workflow, Part 3: Sony’s AVCHD & NXCAM cameras
In part 1 of PsF’s missing workflow, we introduced the new terms benign PsF and malignant PsF (Progressive Segmented...
Use Dynamic Link to bring Warp Stabilizer to Premiere Pro CS5.5
The Dynamic Link process to stabilize a Pr clip in AE begins in the Pr timeline. Warp Stabilizer was...
A report on Walter Murch’s talk at the Boston SuperMeet
I wasn’t able to make it to the October 27 Boston SuperMeet though I really, really wanted to go....
Sharing Assets: Adobe CS Production Premium’s Unique Workflow
When you look at Adobe CS Production Premium’s video production tools – Premiere Pro, After Effects, Encore, Audition, and...
Videoguys October Update and Industry News
I’d like to take this opportunity to thank everyone at Pro Video Coalition for your patronage and support. PVC...
Mac Mini for pro video editing: a field report from Guatemala
Many readers of ProVideo Coalition magazine may recall my recent article Mac Mini w/Thunderbolt: preferred platform for many new...
A lesson learned from my FCPX to Resolve roundtrips
I learned a hard lesson today about Final Cut Pro X after doing some roundtrip testing between FCPX and...
Adobe MAX 2011 Technology Sneak Peeks
Adobe’s big annual MAX conference finished a couple of weeks ago, and as part of it they included a...
