Quicktips 2011 Day 24: Access FCP’s timeline keyframe editor
Everyone who edits with Final Cut Pro knows that you have full access to animating and keyframing parameters via...
Quicktips 2011 Day 23: moving all keyframes on a shot in FCP
This reader Quicktip comes over from Steve Sabban and it’s a follow-up to Quicktip number 7: changing FCP filters...
Time lapse of a Television Editor
Are you curious about what a television editor does? Are you a fan of Chuck? Then this video is...
Quicktips 2011 Day22: Add Virtual Cuts to Avid Clip Based on Tracks Beneath
Here’s a really cool Avid Media Composer Reader Quicktip that comes from Evan Schiff. It’s quite clever and I...
Tribute to Michael Kahn, A.C.E.
Tribute to Michael Kahn, A.C.E. from Carsten Kurpanek on Vimeo. If you haven’t heard, the American Cinema Editors held...
Which ProRes quality level is Good Enough when editing DSLR footage?
So I wanted to share some personal findings after working heavily with DSLRs for about a year and a...
Get a Better Editing Workflow when You Make the Switch to Adobe CS5 Production Premium
With Adobe Premiere Pro CS5 software, you can craft stories more efficiently, save time by integrating with Adobe After...
Quicktips 2011 Day 21: Change multiple FCP audio clip levels at once
This Reader Quicktip comes from Matt Larson and is sort of a workaround for Final Cut Pro lack of...
Quicktips 2011 Day 20: One of the most simple, handy Quicktips ever
This Quicktip is a bit off the topic of editing and post-production but it’s a simple tip for Sunday...
Quicktips 2011 Day 19: Rename your Avid MXF folders
A great Reader Quicktip came over the other day from Rob Wilson. It’s a nice tip for doing a...
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