QuickTip: The clip custom color picker is there in Media Composer 5
Avid released Media Composer 5 to some big changes and one of those changes that wasn’t so big (but...
Avid and RED team up for a RED workflow webinar
It looks like Avid and RED are teaming up for a webinar. The date is Thursday, December 2, 2010...
Blend Modes in Adobe Premiere Pro
As a motion graphics artist, one of our favorite tricks to enhance an uninspiring clip is not to use...
Switching to Adobe Premiere Pro-A 4-part switcher series
More and more Final Cut editors are using Adobe Premiere Pro CS5 to make them more efficient. If you’re...
Hey, how about a MacPro clone to give us the system we need
For professional editors and post-production artists the choice of Macintosh is usually almost a religious decision. We want to...
Tangent’s vWave-Lite iPad app hits the app store
Today Tangent Devices saw their first ever iPad app approved by the Apple Gods and with that blessing vWave-Lite...
Adobe Delivers Salvation for HDSLR Shooters
Without a doubt, the greatest challenge for HDSLR shooters has been editorial. I recently read of another new software...
Simplifying software with XDCAM Browser
If it hadn’t already been taken, E pluribus unum would have been a great motto for Sony’s latest development,...
50.94 Is Not A Valid Frame Rate
I recently had a fellow motion graphics artist asked me what format used a 50.94 fps frame rate, as...
Adobe Premiere Pro CS5 Helps Keep the Peace at Home
This probably isn’t the usual article on a piece of non-linear editing software. There will be no discussion of...
