Review: MC Color control surface
A bit earlier this year Euphonix began shipping its highly anticipated MC Color control surface. This unit was designed...
Creative Suite 5 is Shipping
Less than three weeks after “launching” Creative Suite 5 at NAB, Adobe has started shipping it, including After Effects...
Get for Final Cut Pro enables phonetic searching of media
Above is a short iPhone-originated RealTime video of a new Final Cut Pro companion application called get, from AV3...
Avid’s web-based editing demo
Yesterday I sat through Avid’s web-based editing demo. I wasn’t sure what to expect as the idea of editing...
Core Melt’s Lock & Load X
Core Melt will be updating their fast image stablization plugin for Final Cut Pro, Lock & Load, to include...
NAB 2010: Sony, Sunday Night
The PL-mount 35mm SRW-9000, with a 2/3″ SRW-9000 in the background. I arrived in Las Vegas late on Sunday,...
Avid introduces Media Composer 5
See that image above? That’s some crazy new timeline stuff that might be happening in the new version of...
Adobe Premiere Pro CS5: Better, Faster, Bigger and Especially Faster
With the announcement of Adobe’s new version of their Creative Suite, CS5, they are delivering a new version of...
Will Adobe’s new Mercury technology provoke a sudden exodus from Final Cut Pro to CS5?
As has already been covered by Chris and Trish Meyer and other colleagues at ProVideo Coalition, Adobe’s new Mercury...
Come to NAB for my Avid Media Composer for Final Cut Pro Editors class
I’m very excited for my trip to the National Association of Broadcasters convention this year as I’ll be leading...
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