The exodus from Final Cut Pro to Adobe Premiere CS5 has begun
On April 5th, 2010, I published the article Will Adobe’s new Mercury technology provoke a sudden exodus from Final...
Review: MC Color control surface
A bit earlier this year Euphonix began shipping its highly anticipated MC Color control surface. This unit was designed...
Creative Suite 5 is Shipping
Less than three weeks after “launching” Creative Suite 5 at NAB, Adobe has started shipping it, including After Effects...
Get for Final Cut Pro enables phonetic searching of media
Above is a short iPhone-originated RealTime video of a new Final Cut Pro companion application called get, from AV3...
Avid’s web-based editing demo
Yesterday I sat through Avid’s web-based editing demo. I wasn’t sure what to expect as the idea of editing...
Core Melt’s Lock & Load X
Core Melt will be updating their fast image stablization plugin for Final Cut Pro, Lock & Load, to include...
NAB 2010: Sony, Sunday Night
The PL-mount 35mm SRW-9000, with a 2/3″ SRW-9000 in the background. I arrived in Las Vegas late on Sunday,...
Avid introduces Media Composer 5
See that image above? That’s some crazy new timeline stuff that might be happening in the new version of...
Adobe Premiere Pro CS5: Better, Faster, Bigger and Especially Faster
With the announcement of Adobe’s new version of their Creative Suite, CS5, they are delivering a new version of...
Will Adobe’s new Mercury technology provoke a sudden exodus from Final Cut Pro to CS5?
As has already been covered by Chris and Trish Meyer and other colleagues at ProVideo Coalition, Adobe’s new Mercury...
