Getting Started with HitFilm Pro – Lesson 8 – Clip-Based Parameters and Keyframing
In our last lesson, in our look at learning HitFilm Pro, we talked about updating HitFilm, and why that’s...
“Mouseless” Dynamic Trimming in Final Cut Pro X
This week on MacBreak Studio, I show Steve Martin from Ripple Training how you can edit in Final Cut...
The Versatile Range Selection Tool in Final Cut Pro X
https://www.youtube.com/watch?v=NZst8K8QXWw This week on MacBreak Studio, Steve Martin from Ripple Training shows us some surprising and useful ways to...
Getting Started with HitFilm Pro – Lesson 7 – Updates
In our last lesson, in our look at learning HitFilm Pro, started discussing Composite Shots, and how you’re going...
On-Set Audio- 28 Weeks of Post Audio Redux
Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of...
Sorenson Squeeze reaches its End Of Life
Well, I’m a little shocked to say that if you’re a Sorenson Squeeze user, as of September 1st, its...
Critique – 28 Weeks of Post Audio Redux
Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of...
Blackmagic’s New eGPU Is A Hurdle Leaped For Creatives (commentary)
Yes, the news about Blackmagic Design’s new eGPU, a high-performance graphics processor, has already been posted on PVC by...
Let’s Edit with Media Composer – What’s New in 2018.7
In this lesson, Kevin P McAuliffe discusses the newest release of Media Composer, 2018.7, and with it comes one...
Editing Dialogue
Good editors tend to work viscerally; shot choice and cut points for dialogue scenes are chosen as often by...
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Post Production
