Patrick Lawrence on editing Clara’s Ghost
The film Clara’s Ghost premiered recently as part of the 2018 Sundance Film Festival NEXT program. Written and directed...
Alpha Channels: The good, the bad & the ugly
Alpha channels are the basis of digital compositing, but there are two different types – straight and premultiplied. Understanding...
Search – A Conversation with the Editors
Editors Will Merrick and Nick Johnson co-edited the film Search, which premiered last weekend at Sundance 2018. Search is...
How to install/update Hindenburg Journalist (Pro) without Soundflower
Frequent readers already know that Hindenberg Journalist (Pro) is my favorite multitrack audio editor for storytelling, and I have...
Removing People from 360 Videos in Final Cut Pro X
https://www.youtube.com/watch?v=L2aQebVfMi4&t=1s This week on MacBreak Studio, Steve Martin from Ripple Training shows us how to remove a person from...
In Depth – Soundly 2 for Windows and OS X
Depending on the type of audio work you do, sound effects play a huge roll in the process. If...
First Look – Rampant Style Kits
We’re all about value for our dollar(s) these days. Whether it’s in the the plug-ins we buy, the storage...
Let’s Edit with MC – Keying Part 3 – BCC Primatte Studio Basics
In this lesson, Kevin P McAuliffe talks about taking your Chroma Keying workflows to the next level, by using...
Let’s Edit with Media Composer – Chroma Keying Part 2 – SpectraMatte
In this lesson, Kevin P McAuliffe continues the discussion on Chroma Keying by talking about the SpectraMatte effect.
Let’s Edit with Media Composer – FrameFlex and Larger than HD Image Sequences
In this lesson, Kevin P McAuliffe answers a viewer question about working creating Pan & Zooms with image sequences...
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