Combating Computer Vision Syndrome
More than anything, editors and motion graphic designers have one tool that more important than anything, and that is...
In Depth – Ignite Pro from HitFilm
I wanted to follow up my review of HitFilm Pro 2017 with a look at the two products that...
Let’s Edit with Media Composer – Chroma keying Part 1 – Garbage Mattes
In this lesson, Kevin P McAuliffe beings a multi part lesson on Chromakeying inside of Media Composer. Lesson One...
In Depth Look – HitFilm Pro 2018
I’m the first one to admit that I’m a fan of HitFilm. For me, it’s like the Little Engine...
Opening titles: commercials that sell a series
The art of the opening title sequence is flourishing like never before. The best ones contain clues, “Easter eggs,”...
Blackmagic Design Releases DaVinci Resolve 14.1
Alright, Alright, Alright, Blackmagic Design has released the latest version of the color grading and editing software DaVinci Resolve....
In Depth Look – Red Giant Universe 2.2
Red Giant develop and distribute some of the best plug-ins out there. Shine and Magic Bullet Looks are my...
Three beautiful TV shows you probably aren’t watching
I’ve worked on episodic television. I know how fast it moves. That’s why I’m amazed at how good recent...
Useful Tools for Editors: Daylight Savings Time Edition
Soundly Soundly is a cool entry into the world of sound effects that I’ve been trying out recently. It...
In Depth – Sapphire 11 AVX from Boris FX
Never has it been a better time to be an effects and visual effects geek like me. Boris FX...
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