Let’s Edit with Media Composer – Creating Night from Day with BCC and Sapphire 10
In this lesson, Kevin P McAuliffe shows you how, using BCC 10, Sapphire 10 and a little help from...
REVIEW – MacCaption from Telestream
As editors, we can wear a lot of hats. We can be the image cutter, color grader, VFX master,...
Key Details of the VEGAS Pro 15 Release
We’ve talked about what makes VEGAS Pro distinct in terms of being able to offer editors options that no...
FAQ for NLE Video Storage (2017 Edition)
Our popular guide to video storage is updated for 2017! One of the most confusing things about digital video...
REVIEW – ScreenFlow 7 from Telestream
I’ve been doing online training and tutorials for a while now. A long while, and I’ve done recording on...
Review: ZBook Studio G4 w/DreamColor for prepress, video editing/grading
This review article on the ZBook Studio G4 with optional inboard DreamColor display is divided into eight sections: (1)...
CREATING YOUR OWN DCP’S – PREMIERE PRO CC SETUP
I want to keep the DCP topic going by taking a look that the process that we just covered...
Filmmaker Friday featuring Filmmaker Drew Ganyer
With hundreds of careers and opportunities, the filmmaking industry can be a unique experience for a filmmaker. Filmtools decided...
Let’s Edit with Media Composer – DCP Creation Part 1 – Setup
In this Let’s Edit with Media Composer lesson, Kevin P McAuliffe talks about getting your Media Composer timeline ready...
Siggraph 2017: the beginning of the end for assistant editors
Siggraph 2017 is essentially an NAB show for Pixar computer science geeks and VFX artists. But it also reveals...
