Let’s Edit with Media Composer – ADVANCED – Working with the Avid Attic
In this Let’s Edit with Media Composer lesson, Kevin P McAuliffe talks about working with the Avid Attic. Sometimes,...
ART OF THE CUT with Michael McCusker, ACE, editor of “Girl on the Train”
Michael McCusker’s first feature film in the editor’s chair resulted in an Oscar nomination for Best Achievement in Film...
Add JPEG 2000 support to After Effects and Photoshop absolutely FREE!
I do a lot of DCP work in After Effects, and .J2C (JPEG 2000) is the format of choice....
It’s time to get excited about Boris FX’s acquisition of GenArts!
There has been an age old debate going on in the post production world, and no, I’m not talking...
ART OF THE CUT with Chris Lebenzon, ACE on editing “Miss Peregrine’s”
Chris Lebenzon, ACE has such an extensive filmography of huge movies, it’s hard to know which ones to include...
Let’s Edit with Media Composer – ADVANCED – Matte Key Transitions
In this lesson, Kevin P McAuliffe wraps up his talk on transitions by talking about Matte Key transitions in...
Let’s Edit with Media Composer – ADVANCED – BCC Transitions
In this lesson, Kevin P McAuliffe starts things off by talking about the importance of updating your BCC 10...
ART OF THE CUT with Paul Crowder of “Eight Days a Week” doc
Paul Crowder is a London-born, L.A.-based editor who just cut Ron Howard’s fantastic tribute to the Fab Four: “The...
Let’s Edit with Media Composer – ADVANCED – Motion Effects Part 2
In this lesson, Kevin P McAuliffe wraps up his look at Motion Effects by talking, first, about a common...
How I interviewed presidential candidate Gary Johnson with a digital mic from Italy
Last week, I had the pleasure and honor of conducting a brief, in-field interview with US presidential candidate Gary...
