Get Started Fast with NewBlue Titler Pro for Media Composer—Episode 2
With the move to larger then HD projects, there have been some changes in Media Composer that editors need...
Get Started Fast with NewBlue Titler Pro for Media Composer—Episode 1
With the move to larger then HD projects, there have been some changes in Media Composer that editors need...
Get Started Fast with Media Composer for High-Res Workflows—Part 5
Many editors don’t work in larger then HD projects, but what happens when you’re ready to make the leap?...
Get Started Fast with Media Composer for High-Res Workflows—Part 4
Many editors don’t work in larger then HD projects, but what happens when you’re ready to make the leap?...
Review: Red Giant PluralEyes 4
Those of us who have been around the film and video post-production biz for awhile will remember a day...
Media Composer 101 – ADVANCED – Multicam Editing in v8.5
In this lesson, Kevin P McAuliffe takes a specific look at Multicam editing with the new Waveform Sync option,...
Media Composer 101 – What’s new in version 8.5
In this lesson, Kevin P McAuliffe talks about the new features in the new 8.5 release of Avid Media...
Media Composer 101 – Lesson 18 – Basic Editing & Timeline Views
In this lesson, Kevin P McAuliffe gets you up to speed with basic editing inside of Avid Media Composer,...
Automatic video editing with MAGIX Fastcut
I was intrigued by a recent post from PVC’s Jose Antunes about Fastcut, a PC video editor that claims...
Art of the Cut Oscar Nominees
Get in the Oscar nominee spirit by reading Art of the Cut interviews with the editors of the Best...
