Manhattan Edit Workshop Artist in Residence Spotlight on Editor Sabine Hoffman
MEWShop recently sat down with our September 2014 Six Week Intensive Artist in Residence Sabine Hoffman, ACE. Sabine has...
Performing swap edits in DaVinci Resolve 12
On this week’s Under 5 from Ripple Training, Alexis Van Hurkman shows us how to perform swap edits in...
Media Composer 101 – Lesson 12 – Import Settings Part 1 – Supported Codecs
In this lesson, Kevin P McAuliffe talks about your Import settings, and focuses in on a very important aspect...
Media Composer 101 – Lesson 11 – Grid Settings & 4×3 Safe in 16×9 projects
In this “back to basics” lesson, Kevin P McAuliffe talks about Grid settings inside of Media Composer, and why...
Media Composer 101 – Advanced – Archiving your Project Part 3 – Automatic Duck’s Media Copy
In this lesson, Kevin P McAuliffe goes further in-depth into archiving your Media Composer projects by looking at another...
Codecs, Codecs, Codecs – The most confusing aspect of editing
As the title says, Codecs are probably the single most confusing thing in editing, especially in Media Composer. Most...
Media Composer 101 – ADVANCED – Archiving Your Projects Part 2 – Media Mover
In this lesson, Kevin P McAuliffe goes further in-depth into archiving your Media Composer projects by looking at a...
The return of Automatic Duck: FCPX to After Effects and Media Copy
If you’ve been working in this business for awhile you’ll most likely have fond memories of Automatic Duck. The...
Stefan Weiss, fearless editor, hands-on educator
When it comes to non-linear editing (NLE), Stefan Weiss is fearless. He’s worked in both film and broadcast television,...
Art of the Cut with Eddie Hamilton of Mission: Impossible – Rogue Nation
Eddie Hamilton’s list of credits is envious, starting with feature film editing credits in 1998 and kicking into high...
