Media Composer 101 – What’s New in Media Composer 8.4
In this lesson, Kevin P McAuliffe goes over the new features in 8.4 of Avid Media Composer including true...
Are you, as an editor, defined by the NLE that you use?
Are you defined by the NLE you use? If you answered no to that question you can probably stop...
Fare-thee-well Red Giant BulletProof
I was a little bit sad when I saw the news that Red Giant’s BulletProof had been quietly discontinued....
Media Composer 101 – Advanced – Editing Music Videos Part 4
In this lesson, Kevin P McAuliffe continues his look at editing music videos by starting to talk about effects...
Source Timecode Burn-in comes to FCPX (and it’s in the other NLEs too)
Here we go with another edition of Third Party Developers Add Timecode-Things to Final Cut Pro X. This time...
Media Composer 101 – Advanced – Editing Music Videos Part 3
In this lesson, Kevin P McAuliffe talks about the basics of Multicamera editing in Media Composer, how to set...
Taking the “Stock” out of Style Elements
NAB 2015 made me rethink what a “Stock Element” is, and why Style Elements are quite simply the “Plug-in...
Editors: Do you prefer more shorter clips or less longer clips?
I was recently working on an edit that used footage captured by two shooters covering a weekend event. The...
Media Composer 101 – Advanced – Editing Music Videos Part 2
In this lesson, Kevin P McAuliffe talks about using PluralEyes from Red Giant Software to sync your multicamera footage....
A floating timecode window comes to FCPX
The internet has been abuzz the last few days as the good folks over at FxFactory have solved one...
