Allan Tépper to give 4 tech seminars in México City
From January 26–29, I’ll be giving four tech seminars in México City. Actually, three of the four will be...
Blackmagic’s “Slow-Motion” Feature
Right now, the only two Blackmagic cameras that shoot high frame-rates are the URSA and the Studio Cameras. Until...
Sync-N-Link X for Final Cut Pro X
Why would you want a separate app to sync audio and video clips? This week on MacBreak Studio, Sam...
A Little (Big) Avid Media Composer & Final Cut Pro X Trimming Demonstration
Ever since the release of Final Cut Pro X there’s been a lot of discussion around FCPX’s trimming capabilities....
The Magic of Hard Links
What exactly are “hard links” anyway? A better question might be “why are they useful?” – which is exactly...
Grading with Resolve
My friend Gary Yost has been enjoying learning Resolve. He recently graded a short project I directed, shot, and...
Media Composer 101 – Advanced – Creating SD DVD’s from HD, 2K & 4K Projects part 1
In this week's Media Composer 101 tutorial, Kevin P McAuliffe will show you how to create SD screening DVD's...
REVIEW – Genarts Sapphire 8
I know a lot of people in the industry, both users and developers alike. I know almost the entire...
After Effects and Premiere Pro in 2014
2014 was only a slightly slower year in feature releases, with After Effects development underway that one might assume...
Fast Title Changes in Final Cut Pro X
On this week's Final Cut Pro X Under 5, Steve Martin from Ripple Training shows us how powerful the...
