Create movie credits like a pro using Endcrawl
Recently, I have been working on a film called The Right Girls. It is a story of several transgender...
Let’s Edit with Media Composer – Working with Boris Sapphire’s S_LensFlare
If someone asks you what your favorite effect is, what would you say? I always have the same answer. ...
Learn Scratch – Part 4 – Slots, Scene Detection and Layer Basics
One of my favorite concepts inside of Scratch is Slots. It’s something that, for new users, can seem a...
Let’s Edit with Media Composer – Exporting
I love the Avid Editors of Facebook page. It’s such a great place to get a real sense of...
Learn Scratch – Part 3 Outputting Continued and Color Managed Workflows
I always find that rendering/exporting/outputting out of any application to be very hit and miss. Obviously, the less options...
Voices From Sundance: “Dinner in America” Editor Adam Carter Rehmeier
Welcome to a special podcast series from Steve Hullfish and ProVideo Coalition! For the next few weeks, in addition...
16″ Macbook Pro Video Export Performance Tests
I recently updated a 2017 Apple MacBook Pro to the larger 2019 model. Here are my 16″ Macbook Pro...
Let’s Edit with Media Composer – Creating Dailies Part 3 – Adobe Media Encoder
Well, we’re going to round out our look at creating dailies, or as you might also call them, low...
In Depth Look – Filmconvert Nitrate
We spent years trying to move away from film to the digital world. It was cheaper, quicker and easier...
Learn Scratch – Part 2 Notes and Outputting
Working with Notes in Scratch As you’ll see, the deeper and deeper we go into Scratch, Scratch is all...
PVC Favorites
Production
Review: Mofage Talos Damping Magic Arm
Post Production
