Get Started Fast with Avid Media Composer 7: Lesson 5
If you've been thinking that Media Composer is a little to daunting to get started with, than the last...
Music To Edit By (In the Background, Not the Timeline)
Do you like to listen to music while working post-production? I very often do depending on the task at...
At the 2014 Editors Retreat, It’s All About You
The Editor’s Retreat 2014 is an exclusive summit for experienced editors. Taking place this February 26th through March 2nd...
A Q and A about those hard drive docking stations we all use
If you work in post-production then chances are you have one (or more) hard drive docking stations and a...
Moving Media in Final Cut Pro 10.1
What happens when you move a clip from one event to another? In this week's episode of MacBreak Studio,...
Klip Collective pushes film into new spaces at Sundance
It almost had to happen. Tom Wait’s spooky spoken word song “What’s He Building in There,” is so evocative,...
Should Professional Editors care about FCPX (again)?
Last October Kevin McAuliffe told us in two articles that Final Cut Pro X wasn't worth caring about: “FCPX...
Adobe at Sundance 2014
Adobe will be at the Sundance Film Festival again this year in support of emerging independent filmmakers and great...
Working with Libraries in Final Cut Pro X
Welcome to our third MacBreak Studio on the brand new Final Cut Pro 10.1! In this episode, Steve Martin...
A Q and A with Avid about Sphere, ISIS and Interplay
Adobe made a big splash over the last year + with Adobe Anywhere, their “real-time collaboration” platform meant to...
